SCANDALS AND FOLLIES

NEW YORK TIMES
March 20, 2002

CABARET REVIEW
Popping The Cork On Fizzy Nostalgia

By Stephen Holden

A peaches-and-cream vision of Broadway's Ziegfeld era in glamorous bloom, KT Sullivan is as airy as a bubble in a glass of pink champagne in her new cabaret show, ''Scandals and Follies,'' at the Oak Room of the Algonquin. Airy, however, does not mean air-headed. That glittering bubble is also a nostalgic crystal ball into which Ms. Sullivan and her sidekick, the pianist and singer Larry Woodard, peer and revisit the byways of Broadway past with a refined blend of scholarship and wit.''Scandals and Follies,'' which plays through March 30 at the hotel (59 West 44th Street), gathers fragments of nearly 50 songs introduced in Broadway revues (including several Ziegfeld ''Follies'') from 1902 to 1952. The program is a musical scrapbook whose selections are captioned by Ms. Sullivan's revealing, often funny asides. Ms. Sullivan, whose singing stretches from a hard, bright Fanny Brice imitation to a fluttery semi-operatic register, flavors everything with a tongue-in-cheek attitude of wonder.

She tells us about Nora Bayes, the Ziegfeld star and composer of ''Shine On, Harvest Moon,'' who complained that Gershwin's piano accompaniment on the stage was ''too diverting.'' A comparison of two Cole Porter songs, the starchy ''Old Fashioned Garden'' and the naughty ''I'm a Gigolo'' (robustly sung by Mr. Woodard), illustrates how Porter found his voice between 1919 and 1929. Broadway revues have traditionally featured topical songs, and in 1919 you couldn't get more au courant than Irving Berlin in his jaunty, pre-Prohibition warning, ''You Can't Make Your Shimmy Shake on Tea.''

Even the show's more pensive moments, like a torch medley of ''Moanin' Low'' and ''Body and Soul,'' are treated lightly, with Ms. Sullivan's thumbnail sketch of Libby Holman, the scandal-ridden singer who made them popular, offering a can-you-top-this tidbit. Effervescent is the word.

CABARET SCENES
By Barbara Leavy

KT and Larry are together again and, as usual, they are a dynamite duo. Their new show, Scandals and Follies has opened at the Algonquin's Oak Room. They celebrate revue shows before those "pesky plots" overtook musical theater, performing songs from 1902 through 1952 (KT sneaks in a number from 1953). As expected, Larry combines masterful piano playing with his fine voice, but also displays a satiric edge in such numbers as "I'm a Gigolo." KT realizes that such songs as "A Maiden's Prayer" and "You Can't Make Your Shimmy Shake on Tea" (you need gin!) will hardly stand on their own but she can sing them anyway because her comic gift continues to develop and she can be a riot. However, with such songs as "Dancing in the Dark," the diva reveals herself with her beautiful soprano voice. New Yorkers are used to fine performances from this duo. Both natives and visitors should catch their show, which will run until March 30th.

THE NEW YORKER
April 2002

In (Scandals and Follies), KT Sullivan proves herself as vocally, comically, and theatrically assured as contemporary cabaret performers get. She also receives perfect support from the pianist and singer Larry Woodard, whose witty numbers nearly steal the show.